Hearn, Kevin - There & Then 8/19/24 AF a move that he credits

a move that he credits largely to his collaborators here who include R

Each player then writes the word they think best completes the phrase

fusing sharp and glacial synthetic elements with warm organic tones and heartfelt vocal performances

near avant-garde vision of the mambo

GLORYHAMMER

Hearn, Kevin - There & Then 8/19/24 AF a move that he creditsThree days. Three locations. Three pianos. Three hours on each. I was told where and when the piano would be ready. I would go, play, and leave. Very little was said. All pieces were improvised. There were no demos, run throughs, re dos, or edits. At times I was responding to the natural reverb of the spaces, as well as the effects and sound treatments that Mark was adding in tandem with the performances. What you hear is what happened there and then,